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THE SOMAHEXUALS (digital)

by Steven Gray

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1.
Special Ed 04:52
SPECIAL ED I have a friend his name is Ed, now and then he’s playing dead. It’s like he can’t get out of bed and women get inside his head, but he says, be gone you wench and brandishing a monkey wrench he chases them around the block and coming home he puts a lock on the door and breaks the clock, or was he born with culture shock. He turned into a sound technician messing with the human condition. Mix it on an audio tape an 8-track is a great escape and if you’re human things go wrong compensating with a song and your missing life is hidden in a chord, is it forbidden. Living is formidable with some of it inaudible. THERE WAS A WOMAN, BUT SHE’S NOT THERE. THEY HAD A LIFE, IT VANISHED IN THIN AIR. NOW HE WON’T GO THERE. He lives in Oakland and he drives a pickup with a sense of dread, a little tense but he survives although he sees things in his head. He’s seeing more in his computer, “Look at her I want to put her on the wall, it’s off the wall these women with no shame at all.” One night I’m saying where you goin’, he was goin’ to see Buck Owens. Drinking whiskey in a warehouse it can make you so aware or maybe it’s something in the air or in your hair, well I don’t care I only know it’s everywhere. You’d think there was an electric chair waiting when we’re getting old, it’s like your hometown has been sold. I don’t know if he’s making plans, his room is full of broken fans. THERE WAS A WOMAN, BUT SHE’S NOT THERE. THEY HAD A LIFE, IT VANISHED IN THIN AIR. NOW HE WON’T GO THERE.
2.
THREE-LEGGED WOMAN She’s a post-atomic mutant but I think she’s cute, she grew an extra leg although it left her deaf and mute. It’s making her bi-sexual, the woman has two cunts, and some men fall asleep when they have only done it once. The woman’s hard to satisfy with three legs in the air, the men are seeing double but they probably don’t care. Because it is unusual and you should see her walk. I want to take her out and I don’t care if people talk. YOU THINK IT IS A PHANTOM LIMB YOU’RE SAYING WHAT’S THE MATTER WITH HIM I LOSE IT WHEN THE LIGHTS GROW DIM IMAGINE HER INSIDE A GYM It’s probably good she doesn’t hear what people have to say, I bet it wouldn’t take her very long to run away. She’s taking it in stride although the pedicures cost more, and maybe it’s more stable when you have three on the floor. They say I’m sleeping with a tripod but it isn’t true, and when she goes to bed I’m waiting for the other shoe to drop. A leggy woman and she has her feet on the ground, it’s good to know that even the deformed can get around. YOU THINK IT IS A PHANTOM LIMB YOU’RE SAYING WHAT’S THE MATTER WITH HIM I LOSE IT WHEN THE LIGHTS GROW DIM IMAGINE HER INSIDE A GYM Because of natural selection some kinds have to die, I never met a girl like her, I look her in the eye. Acting normal but some people think she is deformed, I used to think the body rules but I was misinformed. It doesn’t matter if you have three legs, you have one heart, and that should be the focus of your love, it is an art. I love it when you walk around like that, although it begs the question: why would someone like a woman with three legs. YOU THINK IT IS A PHANTOM LIMB YOU’RE SAYING WHAT’S THE MATTER WITH HIM I LOSE IT WHEN THE LIGHTS GROW DIM IMAGINE HER INSIDE A GYM
3.
BROKEN FIELD RUNNER I’ve broken bones and been arrested, shacked up with a double-breasted divorcee and walked away, hallucinated in LA and landed in a plane in London, walked the desert with abandon. Living is an odyssey involving some immodesty, I’ve hung out with a naked goddess and defied the usual odds. I don’t approve of foreign wars, I never paid to have a whore, I’ve read a book or two of Proust and still remember getting juiced in New York City, fallen asleep in the Sierras, had a deep debate with someone who’s no longer living. Does it make you stronger all of this, the repetition adding to your reputation. I have been around for half a century and heard the laughter of a woman in the dunes, and when I telescoped the moon it was enlightening. In fact I don’t know how a man should act and so I tend to improvise and simplify and count the lies or write a poem, analyze the mass psychology of crowds and turn up my guitar so loud it doesn’t think. I’m spilling ink inside of a behavioral sink, the agents and the editors are warped, but I’m a man of letters. The cognizance, it never quits, don’t blow your mind you need the circuits, you don’t want to be uncouth, I’ve seen the moonlight in vermouth, and near encounters with Vermeer, a composition like a rear-view mirror and it tells the truth. I also heard it in a phone booth from a woman, a rejected writer, I have been inspected and neglected, redirected, on a full moon I’m connected and politically incorrect. But I’m polite when I’m erect, a man and what can you expect. I never took apart an engine looking for the origins of love and hate, I had to wait for hours in an altered state, I’m nearly broke and vacillating, others may be salivating at the sight of socialites, I’m more concerned with satellite intelligence, it makes my night. I broke up with another woman and I’m drifting, it’s an omen of the discontinual, and life is full of mental cruelty although I can’t complain, I made it to the south of Spain. With your intensity intact and a foundation of the facts a person can, as Faulkner said, endure a lot of living. Dead men walking don’t do much for me, but I was never in the Army.
4.
Coming To 04:15
COMING TO People say I’m self-promoting, others say that I’m show-boating, but I get so tired of it, everyone is full of shit who doesn’t see the way I see it, I’m for real, I guarantee it. We’re all going through the motions, motion is a magic potion, fooling the authorities and tooling the sonorities, it even comes in handy when I hang around sororities. Come on, we have a lot in common, but you’re nothing but a come-on, so come on it ain’t communion. Would you rather be a commie in a coma, would you rather be communing with the common man. I’m common as they come and I’m coming to a neighborhood near you. I’m coming to… I’m coming to… I’m coming to. They say that I’m a hollow man, another man without a plan, who needs a plan when it’s my planet, I own the world and you’re all in it. Every morning I’m in orbit, anything less is just too morbid. I’m living large, I got the lips, I don’t live in an eclipse, I shoot my mouth off, go on trips inside my head, reality slips and rolls around and comes out here and it becomes you, in one ear and out the other, so’s your mother, I just wish I had another. Life is knocking me unconscious, everyday the naked lunches take their toll and now my soul it wants to crawl into a hole. You think I’m going to extremes, you’ve never heard a woman scream. I have although I won’t say where, a woman pulling out her hair and finally I said what’s wrong, she said oh baby I love that song. You think that we could get along, I asked. Well what do you mean by long, she said. I said, however long before I’m out the door. Come on, we have a lot in common, but you’re nothing but a come-on, so come on it ain’t communion. Would you rather be a commie in a coma, would you rather be communing with the common man. I’m common as they come and I’m coming to a neighborhood near you…
5.
Smokey 03:48
SMOKEY On top of my girlfriend my head in a cloud, the woman is smoking no smoking allowed. On top of my girlfriend and we’re in love the smoke is below me and then it’s above. On top of old Smokey I’ve so much to learn, while she is exhaling I do a slow burn. On top of old Smokey obscuring the view I said I can’t breathe, she said who are you. I said I’m your boyfriend, I’ve been here all night, she said if you hate it then turn out the light. So what are you smoking it smells like a weed, she said don’t ask questions it’s not what I need and if you love me your love shouldn’t fail. I said if you swallow then I can inhale. Then she proceeded to blow a smoke ring, it went around me and I had to sing: On top of my girlfriend my head in a cloud the woman is smoking and smoking is allowed.
6.
Airplay 03:40
AIR PLAY I want air play, you want foreplay, I want an airplane right away. I hope you’re not a fake-out, I want to take off all your clothes someday. You’re a mystery, I want history and biology. I want anatomy, you want autonomy and psychology. I DON’T WANT YOU TO GO ANYWHERE I WANT YOU HERE RIGHT BY ME I DON’T WANT YOU TO GO ANYWHERE I WANT YOU HERE RIGHT BY ME HOLD ME, HOLD ME, ‘TIL I’M ALL OVER YOU You’re pretentious, I’m unconscious, you’re my daily dream. You won’t listen, but I miss you, nothing is what it seems. I want to play guitar, you want a seminar, you’ve got so much to learn. I like beauty, you like your body, but it makes me burn. I DON’T WANT YOU TO GO ANYWHERE I WANT YOU HERE RIGHT BY ME I DON’T WANT YOU TO GO ANYWHERE I WANT YOU HERE RIGHT BY ME HOLD ME, HOLD ME, ‘TIL I’M ALL OVER YOU
7.
ONE FOOT IN THE GRAVE A soldier is expendable and only twenty-one, although he's feeling older with the shell-shock and a gun. He has to follow orders and he's treated like a slave, he goes into a firefight with one foot in the grave. When you’re getting old it's like you are invisible, insurance going through the roof, it’s inadvisable. Women look right through you now, how should I behave? I'm feeling like some kind of ghost with one foot in the grave. The woman is addicted, she is constantly depressed, no matter what a man is doing she is not impressed, the alcohol is getting to her, some cannot be saved, for most of her life the woman has had one foot in the grave. The way some people drive around at 90 miles an hour, a near-death experience but they like to feel the power. Now there is a lot of wreckage in the home of the brave where some have one foot on the gas and one foot in the grave. The hobos and the homeless are sleeping on the ground as if they're giving up the ghost, although they get around and ride the rails. They're not all there, and moving in a daze, they get a leg up on a freight with one foot in the grave. If you're an existentialist it means you can't assume you'll be around tomorrow so you're sitting in a room and counting off the minutes, they’re coming like a wave, the footage of infinity with one foot in the grave. The prophet went around the country talking to the poor until the men in power couldn't take it any more, accusing him of propheteering and living in a cave. They nailed him to a telephone pole with one foot in the grave. A spider-web and vapor trail are floating in the air and when a man is lost in thought he is barely there. His feet are on the ground however, like they're made of clay and those who're living close to the earth have one foot in the grave.
8.
I Want It 02:36
I WANT IT I want it, every night, I want it, turn out the light, I want it, because you’re mine. I’ll flaunt it, all over town, I’ll flaunt it, don’t bring me down, I’ll flaunt it, because you’re mine. I’ll haunt you, in the night, I’ll haunt you, I think it’s right if I haunt you, because you’re mine. I’VE BEEN ALONE SO LONG AND NOW YOU’RE HERE I CAN’T WAIT ANOTHER YEAR I CAN’T WRITE ANOTHER SONG I want it, every night, I want it, turn out the light, I want it, because you’re mine.

credits

released October 1, 2012

All songs by STEVEN GRAY
(except for the traditional melody of Smokey)

Recorded at Casa Ganesh Records
Recording engineer: Kathmandude

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Steven Gray Connecticut

Steven Gray lived in San Francisco since before there were computers and people would communicate by sending smoke signals with their cigarettes. He’s a writer & musician whose recordings have been episodic. He read his work all over town for years, but using 2020 vision he moved to the coastline of Connecticut where he stares at the fire. His email:
telepoetic77@hotmail.com (don't use this site)
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